26-in/28-out
USB-C audio interface for Mac and Windows.
8
microphone/line-level inputs.
4K analogue enhancement, Polarity Invert, High-Pass Filters
and 48V Phantom Power per channel.
Configurable analogue insert points for inputs 1 and 2,
great for tracking with analogue gear
Inputs 1 and 2 are switchable to instrument-level.
Line inputs bypass preamp – perfect for integrating external
preamps.
10
balanced line outputs.
Alternative speaker switching is available for pairs 1&2
and 3&4.
+9 dBu/+24 dBu output level configuration options for pairs
1&2 and 3&4 to best match your monitors.
DC-coupled outputs are perfect for sending control voltages
to synthesisers and modular rigs.
2
independent, powerful headphone outputs with dedicated level controls.
3 mode options to suit different headphone impedances –
Standard, High Sensitivity, High Impedance.
Create custom headphone mixes.
Re-purpose as line outputs.
+24
dBu operating level for inputs and outputs – perfect for integrating
professional outboard gear as hardware inserts.
16
channels of ADAT I/O at 44.1/48 kHz, 8 channels at 96 kHz.
Next-generation
32-bit/192 kHz converters.
Class-leading
audio performance in every area:
Best-in-class low-noise microphone preamps with outstanding
–130.5 dBu EIN and 67 dB gain range for working with any microphone.
Best-in class 120 dB dynamic range across all inputs &
headphone outputs.
Best-in class 125 dB dynamic range on monitor and line
outputs.
Comprehensive
management of all inputs and outputs onto the SSL 18 low-latency mixer.
Create
the control room mix, plus an additional 4 custom monitor mixes with ease
– HP A (stereo), HP B (stereo), LINE 3-4 (stereo or dual mono).
Flexible
Mirror Routing system to route any input or aux master directly to an
output – perfect for feeding personal monitoring systems, external
metering and outboard FX.
Customise
the monitoring section front panel buttons to suit your workflow.
Flexible
clocking options – internal (clock signal available on Wordclock output),
or clock from incoming ADAT or S/PDIF
Dedicated
Talkback input with analogue Listen Mic Compressor (LMC).
Talkback input can also be used in LINE mode for the creative
processing of stems through the LMC when producing and mixing.
26-in/28-out
USB-C audio interface for Mac and Windows.
8
microphone/line-level inputs.
4K analogue enhancement, Polarity Invert, High-Pass Filters
and 48V Phantom Power per channel.
Configurable analogue insert points for inputs 1 and 2,
great for tracking with analogue gear
Inputs 1 and 2 are switchable to instrument-level.
Line inputs bypass preamp – perfect for integrating external
preamps.
10
balanced line outputs.
Alternative speaker switching is available for pairs 1&2
and 3&4.
+9 dBu/+24 dBu output level configuration options for pairs
1&2 and 3&4 to best match your monitors.
DC-coupled outputs are perfect for sending control voltages
to synthesisers and modular rigs.
2
independent, powerful headphone outputs with dedicated level controls.
3 mode options to suit different headphone impedances –
Standard, High Sensitivity, High Impedance.
Create custom headphone mixes.
Re-purpose as line outputs.
+24
dBu operating level for inputs and outputs – perfect for integrating
professional outboard gear as hardware inserts.
16
channels of ADAT I/O at 44.1/48 kHz, 8 channels at 96 kHz.
Next-generation
32-bit/192 kHz converters.
Class-leading
audio performance in every area:
Best-in-class low-noise microphone preamps with outstanding
–130.5 dBu EIN and 67 dB gain range for working with any microphone.
Best-in class 120 dB dynamic range across all inputs &
headphone outputs.
Best-in class 125 dB dynamic range on monitor and line
outputs.
Comprehensive
management of all inputs and outputs onto the SSL 18 low-latency mixer.
Create
the control room mix, plus an additional 4 custom monitor mixes with ease
– HP A (stereo), HP B (stereo), LINE 3-4 (stereo or dual mono).
Flexible
Mirror Routing system to route any input or aux master directly to an
output – perfect for feeding personal monitoring systems, external
metering and outboard FX.
Customise
the monitoring section front panel buttons to suit your workflow.
Flexible
clocking options – internal (clock signal available on Wordclock output),
or clock from incoming ADAT or S/PDIF
Dedicated
Talkback input with analogue Listen Mic Compressor (LMC).
Talkback input can also be used in LINE mode for the creative
processing of stems through the LMC when producing and mixing.
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