GLA-MP1 aka. BISHOP
We are proud to announce that the new family member of
Gainlab Audio products has arrived! Our own designed BISHOP all tube channel
unit brings much more than you expect from a regular high quality channel
strip. The heart of the unit based on the mic preamp which consist three vacuum
tubes constructed in all tube design. There are inputs for the mic and
instrument on the front while mic and line also selectable on back panel. Over
the regular switches of phase, polarity and phantom power we found a special
drive pot which is available for colouring the instrument input through a
discrete solution. The big enlighted eye catching ring for stepped gain
selector is separated in two selectable scales which gives ultimate
capabilities to make gain even until +60dB.
The VU meter in the middle of the unit is responsible for representing the output level while right next to it we can find the two GR meters of the double slope optical compressor. This exclusive design of Gainlab Audio gives very unique possibilities to the hand of recording engineer by applying a second slope to the loved working method of LA-2A solution. This extension in functionality is well controllable with character, timing and threshold options. Right above the output attenuator we can find the HPF with two options. At the final end of the front panel there is a secret weapon called Dynamic Air Band with two selectable options. This function can work as a regularly known and loved Air Band while using with a compressor turned on it reacts to the actual compression level and gives the unique character of high frequency components to the recorded sound.
GLA-MP1 aka. BISHOP
We are proud to announce that the new family member of
Gainlab Audio products has arrived! Our own designed BISHOP all tube channel
unit brings much more than you expect from a regular high quality channel
strip. The heart of the unit based on the mic preamp which consist three vacuum
tubes constructed in all tube design. There are inputs for the mic and
instrument on the front while mic and line also selectable on back panel. Over
the regular switches of phase, polarity and phantom power we found a special
drive pot which is available for colouring the instrument input through a
discrete solution. The big enlighted eye catching ring for stepped gain
selector is separated in two selectable scales which gives ultimate
capabilities to make gain even until +60dB.
The VU meter in the middle of the unit is responsible for representing the output level while right next to it we can find the two GR meters of the double slope optical compressor. This exclusive design of Gainlab Audio gives very unique possibilities to the hand of recording engineer by applying a second slope to the loved working method of LA-2A solution. This extension in functionality is well controllable with character, timing and threshold options. Right above the output attenuator we can find the HPF with two options. At the final end of the front panel there is a secret weapon called Dynamic Air Band with two selectable options. This function can work as a regularly known and loved Air Band while using with a compressor turned on it reacts to the actual compression level and gives the unique character of high frequency components to the recorded sound.
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